A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.The light, still turning, seen from the sea at night.Eastern sands at low water.The western cliff light from the path.Harbour entrance, two small lights marking the safe channel.Evening, the channel lit.A long-exposure of the north light turning through one full period.The same light at dusk, before the lamp was lit.Fog rolling in from the west — the horn took over within the hour.Haze off the point, visibility under two miles.The bell housing, long retired, left in place as a landmark.Looking back toward the mainland from the gallery.First-order lens, nearly two metres tall, still in its original mounting.Detail of the prisms near the focal plane.Afternoon sun caught in the upper rings.A page from 1911, ink faded to brown.The lamp room stair, worn in the centre of each tread.The keeper's kettle, left on the stove.Winter morning, frost on the outside of the glass.The control cabinet that replaced the keeper.The empty keeper's cottage.
